50 x 50 oil 2014
The time of day is crepuscular--yeah, might be leaning on my nocturne crutch a bit here, but not full-blown. The effulgence of the corner warrants it--and I am still challenging myself in that I have chosen the tricky square as a format. I've always avoided the square, having somehow absorbed the idea that it is noncommittal. (neither landscape or portrait.)
Perhaps painters eschew the square because of its static nature. I've tried to offset this by inferring movement by the cropped taxis: one entering, one leaving. The viewer completes the circuit, imagining the world to the sides.