acrylic on canvas 70x60, 2014
This Fall is unusually warm, and it is still pleasant to work outdoors. I'm taking advantage of the good weather to experiment with some new techniques, which are greatly helped by being outdoors. I've dusted off my Iwata airbrush, which I bought two years ago, but haven't used much.
As any airbrusher knows, doing the actual "airbrushing" is only a step in a process of planning and preparation. First I had to figure out how to get a smooth, flat surface. This means stapling the canvas to plywood and applying several coats of gesso, which can be sanded down (nice to be outside when sanding.)
As long as I had to do so much prep work, why not begin "painting" during the prep work? So I applied layers of black and gray, which resulted in an interesting texture when sanded. The sanding became part of the artistic and design process. Though I had a visually textured surface, it was smooth enough to apply the finicky fisket film, which masks areas during the airbrushing. The result is a surprising combination of texture and smooth gradients. It's "airy" but also physical.
I've painted this motif several times already; perhaps this is the final version, the Skap that is meant to be.