Herre in Fall

Herre in Fall

watercolor 30x40 2014

I climbed a short way up a small hill in Herre, careful not to slip on the mossy rocks, still wet with morning dew. I settled on a place to sit and intently lay in colours, enjoying working in the medium I hadn't used for some time. 

Aside from a ladybug that crawled across the paper, there were no distractions… until something kept bustling in back of me. I paid it no heed, rapt in my painting. Perhaps it was birds fighting. After a few minutes more I broke off my concentration. What was that crackling?  Smoke… was someone burning leaves? There was something noisy; the wood was really cracking. I walked closer, to get a view beyond the bushes and trees--POP pop POP! Firecrackers?  Then I saw flames shooting from a roof!

I gingerly climbed down the slippery hill to the road.  Panic and chaos.  Firetrucks began filling the narrow road, one, two, three, four, more and more.  After an hour or so I made it back to where I had lain my painting things. I worked a few minutes more, but found it difficult to concentrate. I'll call it done.

Chameleon

Chameleon Mosaic

Acrylic 46x76 2014

This is from the ghost sign series, inspired by brick wall signage. I recreate the rough texture of bricks, inscribed in relief. It's an alternate history, depicting a sign that could be, or could have been.

Airbrush

Skap

acrylic on canvas 70x60, 2014

This Fall is unusually warm, and it is still pleasant to work outdoors. I'm taking advantage of the good weather to experiment with some new techniques, which are greatly helped by being outdoors. I've dusted off my Iwata airbrush, which I bought two years ago, but haven't used much.

As any airbrusher knows, doing the actual "airbrushing" is only a step in a process of planning and preparation. First I had to figure out how to get a smooth, flat surface. This means stapling the canvas to plywood and applying several coats of gesso, which can be sanded down (nice to be outside when sanding.) 

As long as I had to do so much prep work, why not begin "painting" during the prep work? So I applied layers of black and gray, which resulted in an interesting texture when sanded. The sanding became part of the artistic and design process. Though I had a visually textured surface, it was smooth enough to apply the finicky fisket film, which masks areas during the airbrushing. The result is a surprising combination of texture and smooth gradients. It's "airy" but also physical.

I've painted this motif several times already; perhaps this is the final version, the Skap that is meant to be.

Fall

River Path, Fall

oil 40x30 2014

The warmest Fall I remember pushes me into summer habits, painting another river scene with a palette gearing more toward Autumn.

Selfie

Self Portrait MIB

oil 40x30 2014

I did this self portrait as a watcher or Man in Black. It's a nod to the bald men from Fringe, but also to the original incarnations given us by the paranoid and special contactee, Albert Bender. Folklore has it that these men in black were either government agents or extraterrestrials, or beings that needed a default look and suit.
Somewhere I read that Albert Bender was an artist. I will take a leap and propose that he might have been inspired by the original man in black, Belgian surrealist Rene Magritte. The artist chose this outfit for his persona, and depicted men in his paintings who wore such "default" suits. Hence, I include a Magritte cloudy sky.

Greenpoint Watercolor

Greenpoint Empire

watercolor 30x40 2000

This was rescued by my brother, who found it recently among a pile of paintings stored in rural Pennsylvania. Miraculously, this work on paper shows no mice nibbles or foxing, despite years in a damp trailer.

It was painted from the roof of my loft in Greenpoint, Brooklyn (Huron Street.) I have framed it without a matt, hanging.

Queens Clock

Queens Clock

oil 70 x 99 2014

This painting has been lying around the studio for around four years, so it is a young chicken compared with some of the paintings I have occupied myself with. These have inceptions way back in the later 20th Century!

In any case, Queens Clock deals with time figuratively and literally (it has a working clock embedded into it.) The sky has a craquelure that I consciously developed (I would not recommend this technique as it requires ridiculous patience.)

It was inspired by a NY trip where we stayed in a Long Island City hotel near the Seven line. This part of Queens is one of my favourite parts of the city, which looks magical when one rides the high-up, elevated train, the spires of Manhattan ahead.